Showing posts with label Monotypes. Show all posts
Showing posts with label Monotypes. Show all posts

Sunday, July 7, 2013

About Place an Exhibition of Prints by Jo Lankester, Zelma Schulten & Rhonda Stevens


About Place an exhibition of prints and print sculptures by Jo Lankester, Zelma Schulten & Rhonda Stevens telling a visual story About Place, Townsville. The exhibition Opened at 12pm on Sunday 16th June 2013 as part of the Celebrate Townsville Festival.

Location: Brush & Press Studio @ Artisans on Flinders, 354 Flinders St, Townsville
10am-4.30pm Mon-Fri
9.30am-1.30pm Sat & Sun

Exhibition duration: 9 June until 14 July 2013

Jo Lankester 
Artist Statement

The Landscape has always been of interest in my work. I am inspired by the colours, textures, natural rock and land formations, insects, trees, and the esoteric nature of place.
I believe the landscape depicts its own story to be told. I draw inspiration in the solitude of drawing on location. The process I go through to create my pictures is that I start to see and draw the landscape in the distance and then gradually focus on subjects in closer proximity until I start to see and interpret the essential character of place.
These Monotype is reflective of winter in the dry tropics which I have interpreted to be the essential character of Queensland.

Jo Lankester, MT Stuart IV, Monotype, 2012, 76 x 56cm, $545 framed


Jo Lankester,  MT, Stuart Grass Trees II, 2012, Monotype, 76 x 56cm, $545 Framed



Zelma Schulten
Artist Statement

Life’s journey
“Mountains cannot be surmounted except by winding paths” J.W. Goethe (1749-1832)
I have used Townsville’s picturesque landscapes as symbols to portray my journey through life. Local paths, bridges, waterways and mountains represents voyages, crossings of tribulations, decision making, challenges, failures and triumphs.
Even though we share life and the landscape, you as the viewer, will have your own unique connection to some very familiar Townsville scenes. So too will we all experience life differently as individuals and will make our own unique decisions with different outcomes.
The landscape, similar to our life, is constantly changing: new seedlings will sprout, streams will redirect, harsh changes will be made by nature’s forces, roads will be closed, but still the journey will continue


Zelma Schulten, Kissing Point’s Path, Zink plate Etching, 20 x 25, 2012 cm, Edition 30, $295.00 framed

Zelma Schulten, Wooden Bridge over Creek, Zink plate Etching, 20 x 24,6 cm,2012, Edition 30, $295.00 framed

Zelma Schulten, Ross River from Riverside Gardens II, Copper plate Etching and Drypoint, 32 x 26 cm, 2012, $295.00 framed


Zelma Schulten, My Castle II, Zink plate Etching and Drypoint, 20 x 16,5 cm, 2012, $295.00 framed



Rhonda Stevens
Artist statement


Rhonda Stevens lives and works on Magnetic Island and her natural environment remains a constant source of inspiration with the myriad complexities of humanity, particularly the disparate interconnectedness of peoples and things
 After following her love of sculpture from studying at Victorian College of the Arts in Melbourne she has moved into the magical multi leveled world of printmaking and seeks to explore both in the developing of her art.
Is place caught in the shadows, the reflections, the echoes, or is it “about place” where we are in time trammeled in the continuous flux of the mix of life?
The very nature of Place is its always shifting let us keep exploring everywhere with our natural sense of wonder not blinkered by the material world

Rhonda Stevens,Tickle, Etched Aluminium & Charbonnel Ink, 2013, 55 x 36 cm, $295.00
Rhonda Stevens, Auguries on the Sea Shore, Etched Aluminium & Charbonnel Ink, 2013, 55 x 36 cm, $295.00
Rhonda Stevens, Shadows on the Wall 1, Etched Aluminium & Charbonnel Ink, 2013, 55 x 36 cms, $295.00
Rhonda Stevens, Shadows on the Wall 2, Etched Aluminium & Charbonnel Ink, 2013, 55 x 36 cm, $295.00

To find out more about Celebrate Townsville Click Here

P.S. To purchase any of the prints and prints sculptures featured please contact me directly or come into Artisans on Flinders, 345 Flinders St, Townsville

Monday, July 1, 2013

Flying Arts Artiz@townsville: Monotype Printmaking Workshops


This week Flying Arts held their annual Townsville programs for Teachers and North Queensland Students, ARTIZ @ Townsville. I facilitated a professional development workshop for teachers and two student workshops on monotype printing at Umbrella Studio of Contemporary Arts.  There were teachers from Proserpine, Mnt Isa, Charters Towers, and Townsville. I was very pleased to find that all the schools represented had etching presses in their art departments.


Flying Arts, Artiz@Townsville 2013, Teachers PD Monotype Printmaking Workshop

Flying Arts, Artiz@Townsville 2013, Teachers PD Monotype Printmaking Workshop
Flying Arts, Artiz@Townsville 2013, Teachers PD Monotype Printmaking Workshop
Flying Arts, Artiz@Townsville 2013, Student Monotype Printmaking Workshop
Flying Arts, Artiz@Townsville 2013, Student Monotype Printmaking Workshop

Flying Arts, Artiz@Townsville 2013, Student Monotype Printmaking Workshop

Monday, May 27, 2013

Introduction to Monotype Printmaking with Jo Lankester


Introduction to Monotypes was a great workshop with some fantastic prints created. I started with a demonstration on how to roll etching ink evenly on a perspex plate for a variety of monotype techniques and processes including direct drawing, reductive, additive, and multi-coloured layering. Monotypes are most commonly created using and combing drawing and painting. Information can be developed in both additive and reductive approaches, much the same way as marks can be drawn or erased in a drawing.We experimented with printing by hand and using an etching press.  

The workshop consisted of absolute beginners and intermediate artists. I must admit I just love the expressions on the faces of absolute beginners when they pull their first successful print; it is very satisfying as a teacher to see this.

We were blessed to have Lydia Fegan a visiting artist from Warringa Print Studio attend the workshop. She made a stunning two colour monotype using a combination of both reductive and additive approach.

This is the third and final introduction printmaking workshop as part of May Month of Learning organised by City Libraries, Townsvile City Council. The workshops were held at Umbrella Studio of Contemporary Arts.

Yellow Ochre & Transparency Etching ink
Jo Lankester rolling up with Etching Ink.
Applying a reductive Monotype process.
Demonstrating rolling etching ink out evenly on the perspex plate

Mixing a transparent black
Jo Lankester, MT Stuart Grass Trees lV, Layering Monotype

 Photography by Angela Cheung

Friday, May 24, 2013

Exquisite Corpse Monotype Printmaking Birthday Party

Exquisite Corpse also known as exquisite cadaver (from the original French term cadavre exquis) or rotating corpse is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule or by being allowed to see the end of what the previous person contributed.

This Surrealist began using the technique in 1925 in drawings and later collage.

Exquisite Corpse Monotype Printmaking Birthday Party each guest drew an animal or imaginative animal  head, torso and legs contributing to 10 separate exquisite Corpse prints, once completed they covered up their drawing leaving a little bit at the bottom exposed for the next little artist to carry on the drawing. They moved between print station, a bit like musical chairs until each exquisite Corpse was complete. Each guest took home a unique Exquisite Corpse print of
 their own.

Technique: Direct Drawing & Subtracting Monotype Printmaking

What is a monotype and how is it made?
A monotype is a hand-pulled, unique original print made by developing an image on a plate, often, but not necessarily, a flat piece of plastic. The image is created by adding and subtracting ink. The artist uses rollers, called brayers, and any number of other tools to lay colour on the plate, remove or interfere with it. The colour must be added in very thin layers because the pressure of the press will push it and smear it if the ink is too thick.
Sophie's10th Birthday Party

For Bookings please leave a comment below and I will be in touch.

Warmly,
Jo Lankester