Showing posts with label Exhibition Opening. Show all posts
Showing posts with label Exhibition Opening. Show all posts

Saturday, December 1, 2018

Review: Australian Print Triennial 2018

Australian Print Triennial 2018, Mildura

31st Oct – 4th Nov 2018




“The Australian Print Triennial is a major international art event spearheaded by The Art Vault that will bring together artists, academics, arts ambassadors and practising printmakers from Australia and overseas to engage in a celebration of art printmaking and its significance in modern Australia’s Art’s culture.” To read more of Robyn Archers forward for the event click here 

This 2018 world-class event ran over five days. The first 2.5 days comprised of Community Workshops, Artist workshops, Presentations and Demonstrations. A fabulous Meet and Greet at Stefanos CafĂ©, one of the event sponsors, kicked off one of three opening launches in venues on Deakin St, the Young Emerging Artists Exhibition, Exhibition by La Trobe students from Mungo, and the Exhibition of Indigenous works. Congratulation to all the artists who had prints showing in these exhibitions including Hannah Caprice, Lauren Carter, Annalise Mayer, and Olivia Wilson who’s work I thoroughly enjoyed hanging in the Young Emerging Artists Exhibition.


Olivia Wilson, Lauren Carter, Annalise Mayer Young Emerging Artists Exhibition

Hannah Caprice at the Young Emerging Artists Exhibition. Photo sourced from Instagram hannah.capice

I attended a Mokulito workshop facilitated by Barbie Kjar along with other printmaking friends, Catherine Pilgrim, Julie Holmes, and Cat Rogers to name a few. It was a lovely introduction to the APT and a great opportunity to get to know other APT registrants. I found the Mokulito process to be very immediate, we used a drawing approach to mark making and had our plates prepped, drawn and gummed within a 3hr session. The printing went well for everyone on day two, each creating a small edition of three prints. I’m looking forward to spending more time exploring this process in my studio, I can see how the immediacy of the process will compliment my printmaking practice.

Drawing along the Murray River
Julie Holmes, Barbie Kjar & Catherine Pilgrim - Mokulito Workshop
Mokulito Prints

From midday Friday 2nd of Nov – midday Sunday 4th Nov the events were held at the Mildura Arts Centre (MAC) except for the Triennial Dinner, an exquisite dining experience held at Ampelon Gardens, featuring local foods and wines accompanied by singer Nicky Crayson and her group.

A highlight, among many, was the Opening Keynote by Robyn Archer AO, singer, writer, Artistic Director and public advocate for the arts - The Tenth Mildura Art Vault Address: Do We Care About Craft? Robyn spoke with such passion that I was left feeling inspired, and in total awe of this incredible woman, not to mention that I was covered in goose bumps. To read Robyn Archer’s Opening Keynote click here 

It was lovely to see Ron McBurnie up on the stage flying the flag for Townsville printmakers. He gave a short presentation on The Process (psychological and physical) that he goes through to making his prints, and he also took part in numerous discussion panels throughout the whole event.

Ron McBurnie, Mark Dustin, Michael Kempson, Emeritus Professor Sasha Grishin, Wendy Murray, Jazmina Cininas & Simon Cooper

The Australian Print Triennial Prize winners were announced by the judges, Emeritus Professor Sasha Grishin and Akky van Ogtrop President of the Print Council of Australia. Congratulations to all the entrants and prize winners!    Click here to read of the winners.


Center Print: Janet Parker-Smith

Wendy Murray, Joshua Season, and Rona Green gave engaging, informative and humorous short talks on How do you get seen as a printmaker? I particularly loved Wendy Murray’s subliminal marketing campaign to be seen throughout the event, she handed out stickers that fitted into the back of our lanyard name tags hanging around our necks. Either due to the weight or its size, all our lanyard tags were facing backward with her sticker shinning through. Brilliant! Rona Green generously gave out packs of goodies during her talk containing book marks, temporary tattoos, badges, fridge magnets and a catalogue, including an arsenal of easy to do marketing tips for all printmaking artists.

Press Gang Original Reproductions Handbook, Wendy Murray sticker, and Rona Green Tats and Benigo Art Gallery touring exhibition catalogue

The event closed with the Long Lunch on the banks of the Murray River with food by Steffano de Pieri and Ryan Casey, this was for all the registrants, VIP guests, volunteers and event partners. In addition, we were entertained by a band called the Press Gang and found ourselves laughing uncontrollably and singing along with the band to humorous and witty parodies written by Jazmina Cininas to well know rock songs. The Press Gang gave out hand stitched limited edition of 40 original lyrics handbooks to sing along to. The Press Gang comprised of Adrian Kellett on drums, Julie Forrester on vocals, Martin King on lead guitar and vocals, Graeme Drendel on lead guitar and vocals, and Jazmina Cininas on vocals and wrote the original lyrics to all the songs. GOLD! You can download a pdf file of the booklet and lyrics by clicking here 

I am incredibly grateful and thankful for the amazing hard work by all the staff at the Art Vault, the sponsors and everyone who attended. I can’t wait for the next Australian Print Triennial in 2021.

Monday, April 22, 2013

Nest: by PressNorth Printmakers


Brush & Press Studio is proud to present,

Nest

A printmaking exhibition of nests by PressNorth Printmakers using a variety of techniques and processes depicting nests found in North Queensland, Australia.

Laura Castell, Sandy Fisher, Jo Lankester, Hannah Murray, Gabriel Smith, and Rhonda Stevens.

I proudly opened the exhibition with a quaint morning tea to celebrate Brush & Press Studio's first exhibition for 2013 in the new gallery space at Artisans on Flinders, 345 Flinders St, Townsville

Exhibition Duration 21 April until 2nd June 2013
a selection of prints from Nest by PressNorth Printmakers
A selection of prints from the Nest exhibition currently on display,
Sandy Fisher & Julia Jefferson, Woven Nest Basket & Relief Printed Wooden Necklaces $30 each


Sandy Fisher, Home, Etching, 2012, 37.5 x 42.5cm, Edition 8, $90 unframed
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Gabriel Smith, Sunbirds Nest, Digital Transfer & Etching, 2013, 15 x 10cm, $60 unframed

Gabriel Smith, What's in Your Bower, Digital Print, 2012, Edition 10, $60 unframed



Jo Lankester, Forlorn, Drypoint Etching 2011, 93 x 38.5cm, Edition 5, $230 unframed



Jo Lankester, Nesting, 2012, Drypoint Etching, Edition 5, $180 unframed
 
You can find Brush & Press Studio on Facebook

Warmly,
Jo Lankester

Saturday, November 3, 2012

Asymmetry Prints and Paintings by Kath Cornwall

ASYMMETRY
   
Kath Cornwall
Artist statement
When I make art, I feel a separation from myself occurring. As I analyse my subject, I achieve a sense of higher consciousness.  All my imperfections roll out in a cascade of marks abstracted from my sensory perception of the landscape before me.  Here is where I then connect with my inner self.
I like to explore the concept of evoking a human presence from the landscape.  I can sense this duality in our world and zone in on specific elements within the environment, like trees, by treating them with an intimacy as if they were sitting with me for a portrait, up close.  
Seeking to relay a live human-like relationship with the immediate surroundings, when visually describing my subject, I tend toward the raw graphic energy of the drawing element within my paintings.  Here I can create a sense of immediacy, showing evidence of the movement in my creative process.  I am interested in the driving force of pattern, intimacy, interconnectedness, organic form and the interplay of light and line. My drypoint etchings are abstracted from completed graphic styled paintings. I truly enjoy this process as it allows a complete give from me into the focus on detail.  I love the effect of drypoint with its roughness, softness and depth of tone.
I love the tree, it is a challenge, but is forgiving.  It provides a cerebral presence as I work, so that I may escape into its folds and scatterings of colour, and yet create a substantial form.  A tree may captivate me as it emulates water, its living self stilled in a position of flow, or bowing and wrinkling to the weight of time on its shoulders, the angles of a human figure.

This exhibition was on display at brush & Press Studio from 3rd August until 2 September 2012

Thursday, October 11, 2012

PressNorth Out of the Box Artist Talks

PressNorth Out of the Box

5 Oct - 11 November 2012
Pinnacles Art Gallery, Riverway Arts Centre Townsville

The exhibition opening kicked off with 21 printmakers and book artists talking about their work. The artists talked for 2 minutes each discussing either their concept or techniques and in some cases both informing the audience.

Marian Crawford, printmaking artist, lecturer Monash University, Melbourne, opened the exhibition with an insightful talk about the works in the exhibition discussing connection, place, contemporary themes and traditional influences.

Vince Bray, Jan Daly, Tony Fitzsimmons, Donna Foley, Margaret Genever, Michelle Hall, Sylvia Hewitt, Sandi Hook, Sheree Kinlyside, Karen Landt-Isley, Margot Laver, Jo Lankester, Hannah Murray, Jill O'Sullivan, Irene Rae, Zelma Schulten , Gabriel Smith, Maxine Smith, Rhonda Stevens, Jenny Terrey, Sandra Wright.

PressNorth Out of the Box is a celebration of 21 printmaking artist’s current work plus the achievements of the group to date. The Artist Run Initiative has recently formed a Management Committee and is proud to announce its members.

President Jo Lankester
Vice President Sandra Wright
Secretary Gabriel & Maxine Smith
Treasurer Sandi Hook
Membership Administrator Sheree Kinlyside
Contact Person Laura Castell
Ordinary Member Rhonda Stevens

PressNorth would like to acknowledge our first Honorary Member Ron McBurnie for his continued support and leadership.



















Tuesday, June 15, 2010

A Sense of Void: A Press North Printmaking Exhibition 15-18 June 2010

Hello, thank you for reading my blog on printmaking.

Friday night was the opening of A Sense of Void an exhibition by members of the Press North printmaking group.

It was an intimate opening held in one of the Jame Cook University building occupied by visual art students. The exhibition was a comment on the void of occupants within the building who are being relocated to another part of the university as part of the restructure of courses and use of buildings. It was also a symbol of the exchange of prints amongst members celebrating our different techniques and processes and bridging the gap of isolation often experienced from working in our studios alone.

The exchange folio encourages the collection of other artists work enabling the group to collect a diverse range of prints at the cost of production. I also view the exchange of prints as a creative partnership to get my work seen by a broader audience within the homes of others.

The exhibition is only available for viewing until 18 June 2010 at Gallery DG251 James Cook University, Townsville, Australia

Happy printmaking,
Warmly,
Jo Lankester

P.S Imagine earning 100% of your income from your printmaking passion www.howtogetstartedinprintmaking.com

P.P.S Confidence is a habit that can be developed by acting as if you already had the confidence you desire to have.
Brian Tracy



Jo Lankester, Stone Vlll, 2010, Sugarlift Aquatint, 12 x12.5 cm, Edition 20 $90.00 AUD

© Jo Lankester 2010