Friday, April 13, 2012

Monoprinting: Falling Leaves and Swallow

I have recently been experimenting with Monoprinting combined with etching.

It is such a beautifully quick way to work.

It is a great way to work through ideas, placement and colour prior to creating an etching plate.

Printing a ghost print is also very effective, it has a much softer quality to original monoprint.



Happy Printing!
Jo Lankester

Thursday, April 12, 2012

Supervillains Exhibition Review



Townsville Bulletin, NQ Life, 7 April 2012


Supervillains is an all male print exhibition with comic book inspiration; participating artists have explored the dynamic influence of comic books integrating this concept into their current practice and for some, discovering new media and techniques while exploring this theme to produce limited edition prints for the exhibition.
Local and interstate male artists have created artworks using a range of printmaking techniques including etching, linocut, woodcut, screenprint and digital prints for the Supervillans exhibition.
Artists; Douglas Arana, John Bradshaw, Kenny Deaner, Simon Fleming, Byron Howells, Dylan Howells, Garth Jankovich, Shane Keen, Ron McBurnie, Eric Nash, Gerald Soworka, Josh Dykgraaf, Jonathan McBurnie and Steven Saphore.  

Jo Lankester with curators Kath Cornwall and Shane Keen invite you to enjoy this exhibition. It can be viewed at Brush & Press Studio, 375 Flinders St, Townsville from Friday 30th March until Sunday 20th May 2012.

Saturday, March 3, 2012

Brush & Press Studio: Jodie Broad Linocuts, Emu Dance Series

Jodie Broad Emu Print Series.

Jodie Broad recently engaged my services to edition a series of linocuts which she created roughly 20yrs ago.

The linocuts were not in the best of condition, in fact quite fragile. We were unsure how they would print and to our surprise we were able to successfully create a small edition of each linocut titled Emu Dance l, 2 & 3.

















The prints can be purchased as individual prints or as a set of three through Brush & Press Studio.

Warmly,
Jo Lankester

Thursday, March 1, 2012

Supervillians: Dylan Howells Linocut

Artist and musician Dylan Howells creates his first ever linocut print.

Dylan and I have been friends for 25years, have two children together and have finally collaborated on producing a print of Dylan's artwork. Dylan has used linocut as his chosen print media for the exhibition Supervillians, an all male printmaking exhibition curated by Kath Cornwall. The graphic qualities of linocut lends beautifully to Dylan's image intended for the exhibition.

Supervillians will be on display at Brush & Press Studio during April 2012.


















Happy Printing!

Warmly,
Jo Lankester

Wednesday, February 29, 2012

Brush & Press Studio: Aluminium & Copper Sulphate Workshop with Jo Lankester


Brush & Press Studio
Aluminium & Copper Sulphate Workshop







I recently held a beginner etching workshop in Aluminium & Copper Sulphate etching, it ran ran over 4 days and we covered the following,
  • Sugarlift
  • Line etching
  • Applying a liquid ground
  • Alternative block out methods
  • A la Poupae'e
Happy Printing!

Warmly,
Jo Lankester

Tuesday, February 28, 2012

Sylvia Hewitt: Little Pressures 25th February until 22 March 2012

Brush & Press Studio is proud to present an exhibition by emerging printmaker Sylvia Hewitt.
 
An exhibition of artist books and Intaglio prints, developed in the varying techniques of printmaking. A visual journey of the past two years of knowledge gained through the tuition from a number of workshops, TAFE, and studio practice. This exhibition is running in conjunction with, A Pressing Year, at Art on Kings, shop 6 & 7/203 Kings Rd, Pimlico, Townsville, Qld, Australia.

Sylvia Hewitt began her printmaking journey in early 2010 when she signed up for a collagraph workshop I was instructing. Since then Sylvia has enthusiastically devoured as many techniques and processes she can and has recently purchased a printing press. Her exhibition is a delightful exploration of etchings, collagraphs, artist books and box sets.


















The exhibition can be view until 22 March 2012

Brush & Press Studio
375 Fliinders St, Townsville, 4810
Mon: 10 am-4.30pm
Tues: Closed
Wed: 10am-4.30pm
Thur: 10am-4.30pm
Fri: 10am-4.30pm
Sat & Sun: 9.30am-12.30pm    

Tuesday, January 31, 2012

How to Restore Old Linocuts in 5 Easy Steps

Printmaking Tip: Restoring old lino blocks

Recently I was approached by a client to restore a set of old lino blocks which she created almost 20 years ago. The lino had been sitting in water in the boot of a car (life in the tropics) where they had been exposed to extreme conditions. They were soaked through, cracked and in very bad condition on arrival to my studio.

When the blocks dried out they were brittle, warped, and cracked. Some of the cracks were on the surface and others were all the way through to the backing. I felt the safest way to print these blocks without damaging them further was to fix them to a board.

Step 1. Dilute a mix of water and PVA to coat the back of the lino block; the backing surface may absorb the liquid quickly.  














  


Step 2. Apply a second coat of undiluted PVA to the entire surface.  












 


Step 3. Place the lino block onto a sheet of MDF. 















Step 4. Place even weight on top of the linoblock and MDF board, then leave to dry for a couple of days.
 
Step 5. Apply plaster gap filler to the large cracks, then gently sand and if necessary re-carve lines ready for printing.















Happy Printing!

Warmly,
Jo Lankester

Thursday, November 10, 2011


“If you want to discover printmaking, attend exhibition openings and non-toxic printmaking workshops subscribe to my Jo Lankester Limited Edition Print Studio/Brush & Press Studio e-newsletter below”

Subscribe to our newsletter

Irene Rae Studio Access















Rhonda Stevens 'Crossing' Exhibition Opening















Drypoint & Chine Colle' Workshop















Warmly,

Jo Lankester

Sunday, October 9, 2011

Karen Fiorito Produces a 5 Colour Reduction Linocut at Brush & Press Studio for Neoteric Print

Karen Fiorito Produces a 5 Colour Reduction Linocut with Jo Lankester at Brush & Press Studio for Neoteric Print

Karen Fiorito produced a 5 colour reduction linocut with artists and technician Jo Lankester at Brush & Press Studio as artist in residence for Month of Print, a national celebration of printmaking to celebrate Australia hosting Impact 7, an international multi disciplinary printmaking conference hosted by Monash University, Melbourne during September.


 

































































































































This reduction print is based on the Hindu legend of the Goddess Durga:
A long time ago, the world was in great peril. War and famine were widespread, and demons ruled the earth. The great demon Mahisasura, who took the form of a bull, was their leader. Despite all their efforts, none of the male gods could defeat the demon. The gods retreated from battle and summoned a goddess, for it was foretold that only a woman could save the world from such destruction. Out of a supernova of their collective energies appeared the Goddess Durga with 10 arms riding a tiger. She defeated Mahisasura and his army. Peace was restored and the earth was healed. Although the people of earth begged her to stay and rule them, she refused. "That is not my way," she said, "but if ever you need me again, just think of me, and I will come."

"I have recreated this image of the Goddess Durga and replaced her weapons with tools used in printmaking. She represents the creative, emotional, compassionate and powerful aspects of the divine feminine. Durga is the destroyer of ignorance and represents determination and will power, fierce compassion and patience.  I believe that only through these qualities can we bring about peace on earth and to all of its creatures. My hope is that through my art I can cultivate these aspects of the divine feminine and inspire others to do the same, whether they be male or female."

Karen received her Master’s in Fine Art in Printmaking from Arizona State University and her Bachelor of Fin Art in Printmaking from the University of Pennsylvania of the Arts.  
For the past 7 years, she has run Buddha Cat Press, a socially conscious printmaking studio and publishing company. Most recently her work was showcased at the J. Paul Getty Museum in Los Angeles for the Pacific Standard Time project.  
Her work has also been featured in major publications such as Art in America, the Huffington Post, the LA Weekly, and URB Magazine. She is the recipient of a Puffin Foundation Grant in 2005 and a Change, Inc. Grant from Robert Rauchenberg in 2004.
Neoteric print
Contemporary printmaking artists, working with new ideas and processes pushing the boundaries of traditional printmaking practice in a gallery setting. The mediums used by these artists range from new variations on traditional intaglio and relief techniques, to digital video projections.
Artists: Doug Arana, Aja Ausman, Kelly Bianchi, John Bradshaw, Laura Castell, Michelle Hall, Donna Foley, Karen Fiorito, Sheree Kinlydise, Jo Lankester, Kyana Pike, Gerald Soworka, Sandra Wright
Exhibition Opening: 7pm Friday 30 September by Jo Lankester
Artist Talk: 11am Sunday 9 October 2011
Exhibition Duration 30 September 6 November 2011

Brush & Press Studio is possible thanks to the Renew Townsville Initiative www.renewtownsville.com

Warmly,

Jo Lankester

P.S I challenge you to make your life a masterpiece. I challenge you to join the ranks of those people who live what they teach, who walk their talk.
Anthony Robbins