The pictures I make explore ideas of aesthetics, experience, and elements of the landscape; colour, line, texture, and form. My work is inspired by the unique combination of my local regions’ dry and wet tropical landscape extending west of Townsville to Charters Towers, Magnetic Island, and as far North as Weipa.
Showing posts with label Brush and Press Studio. Show all posts
Showing posts with label Brush and Press Studio. Show all posts
Thursday, September 26, 2013
Thursday, May 16, 2013
Introduction to Linocut Printmaking with Jo Lankester
Introduction to Linocut Printmaking with Jo Lankester
The second introductory printmaking workshop in a series of three
as part of the Townsville City Council’s May
Month of Learning was a heap of fun.
We had a full class with a mix of beginners and artists wanting to refresh their skills or expand
their skills base in the area of Relief Printmaking.
We explored transferring images to the lino block
using handmade transfer paper, carbon paper and direct transfer from pencil or
charcoal drawings. We also drew directly onto the block with charcoal, pencil
and permanent marker.
![]() |
Richard Lane |
![]() |
Dominie Hooper |
![]() |
Sylvia Hewitt & Andrea Stuart |
Thinking about learning how to create a Monotype? Join me today at Umbrella Studio from 10am-3pm, $75
Happy Printing,
Jo Lankester
Labels:
Brush and Press Studio,
Linocut,
workshop
Location:
Townsville QLD, Australia
Monday, April 22, 2013
Nest: by PressNorth Printmakers
Brush & Press Studio is proud to present,
Nest
A printmaking exhibition of nests by PressNorth Printmakers using a variety of techniques and processes depicting nests found in North Queensland, Australia.Laura Castell, Sandy Fisher, Jo Lankester, Hannah Murray, Gabriel Smith, and Rhonda Stevens.
I proudly opened the exhibition with a quaint morning tea to celebrate Brush & Press Studio's first exhibition for 2013 in the new gallery space at Artisans on Flinders, 345 Flinders St, Townsville
Exhibition Duration 21 April until 2nd June 2013
![]() |
a selection of prints from Nest by PressNorth Printmakers |
![]() |
Sandy Fisher & Julia Jefferson, Woven Nest Basket & Relief Printed Wooden Necklaces $30 each |
style="margin-left: auto; margin-right: auto; text-align: center;">

Gabriel Smith, Sunbirds Nest, Digital Transfer & Etching, 2013, 15 x 10cm, $60 unframed

Gabriel Smith, Sunbirds Nest, Digital Transfer & Etching, 2013, 15 x 10cm, $60 unframed
![]() |
Gabriel Smith, What's in Your Bower, Digital Print, 2012, Edition 10, $60 unframed |
You can find Brush & Press Studio on Facebook
Warmly,
Jo Lankester
Location:
Townsville QLD, Australia
Tuesday, March 5, 2013
Brush & Press Studio in Two New Locations
Brush & Press has recently moved to two new locations.
I
am now running workshops from the Umbrella Access Print Studio at 482 Flinders
St, Townsville.
![]() |
Umbrella Studio Contemporary Arts |
I am retailing my prints and those of PressNorth Printmakers at Artisans on Flinders 345 Flinders St.
![]() |
Artizans on Flinders |
Make A Mend has a Tea Party this Saturday at 3pm to Launch
her label at our new store. You can also find Katelyn Asslet, Playsuit and Miss Else’s Wardrobe at this store.
![]() |
Make A Mend Tea Party |
If your in Townsville, drop in for a cup of tea and say hi.
Warmly,
Jo
Location:
Townsville QLD, Australia
Saturday, November 3, 2012
Asymmetry Prints and Paintings by Kath Cornwall
ASYMMETRY
Kath Cornwall
Artist statement
When I make art, I feel a separation from myself occurring. As I analyse my subject, I achieve a sense of higher consciousness. All my imperfections roll out in a cascade of marks abstracted from my sensory perception of the landscape before me. Here is where I then connect with my inner self.
I like to explore the concept of evoking a human presence from the landscape. I can sense this duality in our world and zone in on specific elements within the environment, like trees, by treating them with an intimacy as if they were sitting with me for a portrait, up close.
Seeking to relay a live human-like relationship with the immediate surroundings, when visually describing my subject, I tend toward the raw graphic energy of the drawing element within my paintings. Here I can create a sense of immediacy, showing evidence of the movement in my creative process. I am interested in the driving force of pattern, intimacy, interconnectedness, organic form and the interplay of light and line. My drypoint etchings are abstracted from completed graphic styled paintings. I truly enjoy this process as it allows a complete give from me into the focus on detail. I love the effect of drypoint with its roughness, softness and depth of tone.
I love the tree, it is a challenge, but is forgiving. It provides a cerebral presence as I work, so that I may escape into its folds and scatterings of colour, and yet create a substantial form. A tree may captivate me as it emulates water, its living self stilled in a position of flow, or bowing and wrinkling to the weight of time on its shoulders, the angles of a human figure.
This exhibition was on display at brush & Press Studio from 3rd August until 2 September 2012
Kath Cornwall
Artist statement
When I make art, I feel a separation from myself occurring. As I analyse my subject, I achieve a sense of higher consciousness. All my imperfections roll out in a cascade of marks abstracted from my sensory perception of the landscape before me. Here is where I then connect with my inner self.
I like to explore the concept of evoking a human presence from the landscape. I can sense this duality in our world and zone in on specific elements within the environment, like trees, by treating them with an intimacy as if they were sitting with me for a portrait, up close.
Seeking to relay a live human-like relationship with the immediate surroundings, when visually describing my subject, I tend toward the raw graphic energy of the drawing element within my paintings. Here I can create a sense of immediacy, showing evidence of the movement in my creative process. I am interested in the driving force of pattern, intimacy, interconnectedness, organic form and the interplay of light and line. My drypoint etchings are abstracted from completed graphic styled paintings. I truly enjoy this process as it allows a complete give from me into the focus on detail. I love the effect of drypoint with its roughness, softness and depth of tone.
I love the tree, it is a challenge, but is forgiving. It provides a cerebral presence as I work, so that I may escape into its folds and scatterings of colour, and yet create a substantial form. A tree may captivate me as it emulates water, its living self stilled in a position of flow, or bowing and wrinkling to the weight of time on its shoulders, the angles of a human figure.
This exhibition was on display at brush & Press Studio from 3rd August until 2 September 2012
Location:
Townsville QLD 4810, Australia
Saturday, October 27, 2012
Brush & Press Studio Moving 23 November 2012
A special thank you to everyone who has supported Brush & Press Studio over the past two years, we are seeking a new location and will notify you when we have found one.
Tuesday, February 28, 2012
Sylvia Hewitt: Little Pressures 25th February until 22 March 2012
Brush & Press Studio is proud to present an exhibition by emerging printmaker Sylvia Hewitt.
An exhibition of artist books and Intaglio prints, developed in the varying techniques of printmaking. A visual journey of the past two years of knowledge gained through the tuition from a number of workshops, TAFE, and studio practice. This exhibition is running in conjunction with, A Pressing Year, at Art on Kings, shop 6 & 7/203 Kings Rd, Pimlico, Townsville, Qld, Australia.
Sylvia Hewitt began her printmaking journey in early 2010 when she signed up for a collagraph workshop I was instructing. Since then Sylvia has enthusiastically devoured as many techniques and processes she can and has recently purchased a printing press. Her exhibition is a delightful exploration of etchings, collagraphs, artist books and box sets.
The exhibition can be view until 22 March 2012
Brush & Press Studio
375 Fliinders St, Townsville, 4810
Mon: 10 am-4.30pm
Tues: Closed
Wed: 10am-4.30pm
Thur: 10am-4.30pm
Fri: 10am-4.30pm
Sat & Sun: 9.30am-12.30pm
An exhibition of artist books and Intaglio prints, developed in the varying techniques of printmaking. A visual journey of the past two years of knowledge gained through the tuition from a number of workshops, TAFE, and studio practice. This exhibition is running in conjunction with, A Pressing Year, at Art on Kings, shop 6 & 7/203 Kings Rd, Pimlico, Townsville, Qld, Australia.
Sylvia Hewitt began her printmaking journey in early 2010 when she signed up for a collagraph workshop I was instructing. Since then Sylvia has enthusiastically devoured as many techniques and processes she can and has recently purchased a printing press. Her exhibition is a delightful exploration of etchings, collagraphs, artist books and box sets.
The exhibition can be view until 22 March 2012
Brush & Press Studio
375 Fliinders St, Townsville, 4810
Mon: 10 am-4.30pm
Tues: Closed
Wed: 10am-4.30pm
Thur: 10am-4.30pm
Fri: 10am-4.30pm
Sat & Sun: 9.30am-12.30pm
Labels:
Brush and Press Studio,
Collagraph,
Exhibition
Location:
Townsville QLD 4810, Australia
Subscribe to:
Posts (Atom)