Thursday, November 10, 2011


“If you want to discover printmaking, attend exhibition openings and non-toxic printmaking workshops subscribe to my Jo Lankester Limited Edition Print Studio/Brush & Press Studio e-newsletter below”

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Irene Rae Studio Access















Rhonda Stevens 'Crossing' Exhibition Opening















Drypoint & Chine Colle' Workshop















Warmly,

Jo Lankester

Sunday, October 9, 2011

Karen Fiorito Produces a 5 Colour Reduction Linocut at Brush & Press Studio for Neoteric Print

Karen Fiorito Produces a 5 Colour Reduction Linocut with Jo Lankester at Brush & Press Studio for Neoteric Print

Karen Fiorito produced a 5 colour reduction linocut with artists and technician Jo Lankester at Brush & Press Studio as artist in residence for Month of Print, a national celebration of printmaking to celebrate Australia hosting Impact 7, an international multi disciplinary printmaking conference hosted by Monash University, Melbourne during September.


 

































































































































This reduction print is based on the Hindu legend of the Goddess Durga:
A long time ago, the world was in great peril. War and famine were widespread, and demons ruled the earth. The great demon Mahisasura, who took the form of a bull, was their leader. Despite all their efforts, none of the male gods could defeat the demon. The gods retreated from battle and summoned a goddess, for it was foretold that only a woman could save the world from such destruction. Out of a supernova of their collective energies appeared the Goddess Durga with 10 arms riding a tiger. She defeated Mahisasura and his army. Peace was restored and the earth was healed. Although the people of earth begged her to stay and rule them, she refused. "That is not my way," she said, "but if ever you need me again, just think of me, and I will come."

"I have recreated this image of the Goddess Durga and replaced her weapons with tools used in printmaking. She represents the creative, emotional, compassionate and powerful aspects of the divine feminine. Durga is the destroyer of ignorance and represents determination and will power, fierce compassion and patience.  I believe that only through these qualities can we bring about peace on earth and to all of its creatures. My hope is that through my art I can cultivate these aspects of the divine feminine and inspire others to do the same, whether they be male or female."

Karen received her Master’s in Fine Art in Printmaking from Arizona State University and her Bachelor of Fin Art in Printmaking from the University of Pennsylvania of the Arts.  
For the past 7 years, she has run Buddha Cat Press, a socially conscious printmaking studio and publishing company. Most recently her work was showcased at the J. Paul Getty Museum in Los Angeles for the Pacific Standard Time project.  
Her work has also been featured in major publications such as Art in America, the Huffington Post, the LA Weekly, and URB Magazine. She is the recipient of a Puffin Foundation Grant in 2005 and a Change, Inc. Grant from Robert Rauchenberg in 2004.
Neoteric print
Contemporary printmaking artists, working with new ideas and processes pushing the boundaries of traditional printmaking practice in a gallery setting. The mediums used by these artists range from new variations on traditional intaglio and relief techniques, to digital video projections.
Artists: Doug Arana, Aja Ausman, Kelly Bianchi, John Bradshaw, Laura Castell, Michelle Hall, Donna Foley, Karen Fiorito, Sheree Kinlydise, Jo Lankester, Kyana Pike, Gerald Soworka, Sandra Wright
Exhibition Opening: 7pm Friday 30 September by Jo Lankester
Artist Talk: 11am Sunday 9 October 2011
Exhibition Duration 30 September 6 November 2011

Brush & Press Studio is possible thanks to the Renew Townsville Initiative www.renewtownsville.com

Warmly,

Jo Lankester

P.S I challenge you to make your life a masterpiece. I challenge you to join the ranks of those people who live what they teach, who walk their talk.
Anthony Robbins



Wednesday, September 28, 2011

Neoteric Print: Artist Douglas Arana Printing at Brush & Press Studio for Month of Print


Neoteric Print is a celebration of the diverse print media currently being explored in Townsville amongst emerging and mid career artists.


Townsville Has a dynamic printmaking community which has been developing over a long period of time incubating, and still currently offered, at the Barrier Reef Institute TAFE then a Bachelor of Visual Arts at James Cook University, and most recently the forming of Pressnorth, a Townsville based printmaking group comprising of 40 members actively exhibiting, teaching and earning a living from printmaking.

Douglas Arana is one of 13 artists participating in Neoteric Print at Umbrella Studio from 30 September to 5 November 2011.

Printmaking is widely celebrated within Australia with Townsville being one of the most vibrant printmaking communities with artists winning awards in recognition of their skills across many mediums including artist books. Neoteric Print is part of a national Month of Print and co-insides with Impact 7 an International Multi-Disciplinary Printmaking Conference, 27-30 September 2011, Hosted by Monash University, Caulfield, Victoria.

neoteric - Used to describe a person, especially an author, it means one belongs to modern/recent times—but it might also refer to a person having a modern outlook or new ideas; when used of things, it indicates that they are modern, new, or recent.

These following images are of Douglas Arana printing two works for the exhibition at Brush & Press Studio, 375 Flinders Street Townsville.




































Neoteric Print: Doug Arana, Aja Ausman, Kelly Bianchi, John Bradshaw, Laura Castell, Michelle Hall, Donna Foley, Karen Fiorito, Sheree Kinlydise, Jo Lankester, Kyana Pike, Gerald Soworka, Sandra Wright


Exhibition Opening: 7pm Friday 30 September by Jo Lankester
Artist Talk: 11am Sunday 9 October 2011
Exhibition Duration 30 September 6 November 2011

Brush & Press Studio is possible thanks to the Renew Townsville Initiative www.renewtownsville.com

Happy Printing!

Warmly,
Jo Lankester

P.S Go confidently in the direction of your dreams. Live the life you've imagined.
Henry David Thoreau

Sunday, September 25, 2011

Neoteric Print: Artist Laura Castell Printing at Brush & Press Studio for Month of Print


Neoteric print
Contemporary printmaking artists, working with new ideas and processes pushing the boundaries of traditional printmaking practice in a gallery setting. The mediums used by these artists range from new variations on traditional intaglio and relief techniques, to digital video projections.

Laura Castell is one of 13 artists participating in Neoteric Print at Umbrella Studio from 30 September to 6 November 2011.

While planning for this exhibition I titled the exhibition to be quite open to interpretation. I did not want to be descriptive and set a theme that directed each artist away from their current practice. I feel it is quite important to keep true to your own concepts and aesthetic ideas when exhibiting in a group exhibition.

neoteric - Used to describe a person, especially an author, it means one belongs to modern/recent times—but it might also refer to a person having a modern outlook or new ideas; when used of things, it indicates that they are modern, new, or recent.

These following images are of Laura Castell printing one of two works for the exhibition at Brush & Press Studio, 375 Flinders Street Townsville. This is the first time Laura has worked to this scale. All the prints in the exhibition are 800 x 600 mm.



 
 Neoteric Print: Doug Arana, Aja Ausman, Kelly Bianchi, John Bradshaw, Laura Castell, Michelle Hall, Donna Foley, Karen Fiorito, Sheree Kinlydise, Jo Lankester, Kyana Pike, Gerald Soworka, Sandra Wright

Exhibition Opening: 7pm Friday 30 September by Jo Lankester
Artist Talk: 11am Sunday 9 October 2011
Exhibition Duration 30 September 6 November 2011

Brush & Press Studio is possible thanks to the Renew Townsville Initiative www.renewtownsville.com

Warmly,
Jo Lankester

P.S  You gain strength, courage and confidence by every experience in which you really stop to look fear in the face. You must do the thing that you think you cannot do.
Eleanor Roosevelt

Monday, August 15, 2011

Linocut Printing at Brush & Press Studio with Guest Printmaker Karen Fiorito


Welcome to my blog about printmaking.

I have been working in my studio on an oversized linocut 80 x 120 cm for client Tate Adams in between major projects and with the help of Karen Fiorito I was able to complete the edition.

Karen has recently moved to Townsville from LA where she owns and operates her own printing press, Buddacat Press. We met through a mutual friend and fellow printmaker in Townsville, Sandra Wright. I called Karen and asked for to assistance with printing and advice on how to solve some technical issues I was having with my press.

Karen was fantastic in analysing all the contributing factors in the equation and together we have produced the most stunning linocut edition for Tate Adams.



















It has been the most enjoyable experience working with Karen and I look forward to working together on future projects.

Warmly,

Jo Lankester

P.S.  Say no to opportunities that won’t help you meet your goals.
Alyson B. Stanfield

Saturday, June 11, 2011

Friday, June 10, 2011

Paper Bird: Printing a Permanent Marker Resist Aluminium Plate

Welcome to my blog about printmaking,

In previous posts I describe in detail the etching  process on how  to create an etching using Aluminium and Copper Sulphate etch with permanent marker as a resist.

The images below are of the print hot off the press.








Jo Lankester & Hannah Murray Paper Bird can be viewd at Umbrella Studio Contemporary Arts until 3 July 2011

Warmly,
Jo Lankester

Wednesday, May 18, 2011

Paper Bird: Permanent Maker Resist Aluminium & Copper Sulphate Etching

Welcome to my blog.

Paper Bird is an exhibition of artworks using non-toxic intaglio printmaking, drawing and collage that represents a mutual interest in symbolic and aesthetic qualities of birds and their habitats.  

The previous post included pictures taken of one of my Aluminium plates with an image drawn using  permanent marker acting as a resist for etching.


























I placed the Aluminium plate in the acid for 2 minutes before removing and carefully washing off the iron accretions. I was careful to evenly wipe off any sediment with a soft sponge making sure to remove all streaks, the steaks are built up sediment which can also act as a resist and be visible when printing, taking care not to wipe off the permanent marker.

I then applied shellac to cover areas of the permanent marker that were to remain white. The marker will start to lift (foul bite) quite quickly once re-submerged in the acid.

I then placed the Aluminium plate back in the Copper Sulphate etch until I was happy with the depth of bite.
    If you have tried this method of etching before let me know as I would love to hear about how the plates turned out.

    To be continued.....

    Warmly,
    Jo Lankester

    P.S Paper Bird 27 May-3 July 2011 Umbrella Studio Contemporary Arts 482 Flinders Street, Townsville

    Tuesday, May 17, 2011

    Paper Bird: Plate Creation Using a Permanent Marker as a Resist for Aluminium & Copper Sulphate Etching

    Welcome to my blog,

    Whilst creating the plates for our exhibition Paper Bird I found an interesting method of using a permanent marker to creating wonderfully rich and stark aquatint etchings using permanent marker, Aluminium and Copper Sulphate Etch.







































    To be continued..................................

    Warmly,
    Jo Lankester

    Monday, May 16, 2011

    Paper Bird: Jo Lankester & Hannah Murray Exhibition Rational

    Paper Bird
    Paper Bird is an exhibition of artworks using non-toxic intaglio printmaking, drawing and collage that represents a mutual interest in the symbolic and aesthetic qualities of birds and their habitats. 
    Birds assume a variety of roles in mythology, religion and art including freedom, wisdom, spirituality, peace and mortality, and are often associated with journeys beyond ordinary experience. Hannah Murray considers the ambiguity of bird symbolism – specifically the dove, the owl and the crow. Indirectly inspired by stories of faith and folklore Murray’s body of mixed media work also represents retrospection and sense of self.
    Jo Lankester explores her sense of place using the aesthetic qualities of line and texture. Layered complexity of marks and tone convey snippets of observation drawing from feelings, memory and intuition to create the compositions.
    This body of work depicts a multitude of meanings for Lankester who draws inspiration from the common interest shared with Murray of birds and nests creating pieces that emerge from subconscious symbolism and aesthetic. Lankester takes you on a visual journey exploring personal change, freedom, loss and new beginnings.

    The collaborative pieces in the exhibition bring together the individual styles of each artist symbolising their common shared journey - one of personal change, transformation and artistic freedom. The process of working in collaboration, a first for both artists, has been an unexpectedly positive and inspiring experience. 

    Paper Bird 
    Jo Lankester & Hannah Murray
    Exhibition Opening 7pm Friday 27 May 2011
    Exhibition Duration 27 May-3 July 2011
    Artist Talk 7pm  Tuesday 31 May 2011 
    482 Flinders Street, Townsville
    (07) 477 7019 | www.umbrella.org.au













    The collaborative prints were created at Jo Lankester's studio, Brush & Press Studio 375 Flinders Street, Townsville 
    Brush & Press Studio is possible thanks to the Renew Townsville Initiative http://www.renewtownsville.com

    Thursday, February 10, 2011

    Custome Printing

    I have been working on this latest lino block for a client which is the largest both of us have worked on together.
















    We have just completed the image on the surface of the lino with Indian Ink, ready to carve.

    The lino block measures 84 x 125 cm for a bleed print of 80 x 120 cm. Through discussions with Simon White and Martin King form the Australian Print Workshop on how best to print the lino block, they have advised to glue the lino to a board to keep it flat and stable. They also mentioned that the proofs printed on news print will most probable print better than the BFK reeves paper.... lets hope I do not make too many mistakes :-)

    Happy Printing,

    Warmly,

    Jo Lankester

    Tuesday, January 25, 2011

    The Opeing of Brush & Press Studio


    It has been a very busy month since opening on the 17th December 2010. We worked around the clock for two weeks to have the studio ready in time for the Renew Townsville opening a week before Christmas. The support and encouragement we received from you made it all worthwhile.

    The following links will take you to a photo gallery of the studio in the different stages of the fit out.

    Jamie Thompson from OrganiGallery was an amazing support and inspiration in getting the studio ready. He gave us endless instructions, tools and moral support whilst fitting out his own gallery three doors up. Without his expert advice we would still be plastering the walls.

    Renew Townsville is a not for profit company limited by guarantee. Renew Townsville has been established to find short and medium term uses for buildings in Townsville’s CBD that are currently vacant, disused, or awaiting redevelopment.

    To read more about Renew Townsville follow the link below.

    Warmly,
    Jo Lankester

    P.S It was character that got us out of bed, commitment that moved us into action and discipline that enabled us to follow through.
    Zig Ziglar