Welcome to my blog on printmaking and arts business.
It's currently school holidays so I am juggling printing an edition for my client and spending time with my two boys, 11 and 14 yrs.
I'm finding my day is starting around 5 am with a few stretches, walk the dogs, and have a little bite to eat then hit the studio until 11.30am. We then have lunch and head out on our bikes on an adventure for the day.
I'm able to get back in my studio around 7pm for another session of printing the edition.
I have found by splitting my day up in this routine everyone is happy. The kids are usually sick of watching TV or playing computer games by 11.30 am and ready for some action, and I am meeting my deadlines with clients.
How do you manage your children and working in the studio during school holidays?
Happy Printmaking,
Warmly,
Jo Lankester
P.S. Get your FREE copy of how to build a Sustainable Printmaking Practice www.howtogetstartedinprintmaking.com
P.P.S Build your contact database by adding one new person a day, then send out a newsletter telling them what you are doing or about the latest thing you have learned.
The pictures I make explore ideas of aesthetics, experience, and elements of the landscape; colour, line, texture, and form. My work is inspired by the unique combination of my local regions’ dry and wet tropical landscape extending west of Townsville to Charters Towers, Magnetic Island, and as far North as Weipa.
Thursday, September 23, 2010
Thursday, September 16, 2010
Jill O'Sullivan Mapping the North West: A Chorographical Perspective
Welcome to my blog on Printmaking.
Jill O'Sullivan's exhibition Mapping the North West: A Chorographical Perspective presents a series of chorographic maps that pertain to the North West region of Queensland. The maps are not intended to be a geographical representation in accuracy of the locations represented but symbolic interpretations of experience of the region and all it's incumbents. Jill's interpretations are a result of ongoing and continuous exchange between theory, history of chorography and practice in contemporary application. directed by her personal affinity and understanding of the region resulting from 30 years of living there.
Jill has produced large scale works using a range of materials including lithography, charcoal/conte, pen, watercolour and woodcut.
The scale of the works are striking when you enter the gallery, drawing you closer to see the fine detail of the landscape. The woodblocks have a free hand quality conveying a spontaneous work method thats indicative of the landscape and the artist.
Jill's exhibition fulfills a component of the degree of Doctor of Philosophy in Creative Arts James Cook University.
The exhibition can be viewed from the 6th - 17th September 2010 at eMarge Media Space James Cook University Townsville.
Tuesday, September 14, 2010
Tate Adams Signing His Most Recent Edition at Garage Press
Donna Foley (& grandson), owner operator of Garage Press and Frances Thomson, Director Perc Tucker Regional Gallery watch as Tate Adams signs his most recent edition at Garage Press.
Artist: Tate Adams
Title: Maura
Medium: Sugarlift, Aquatint Etching on zinc plate
Size: 69.5 x 48.5 cm
Paper: Hahneumuhle
Edition: 20 Limited Edition Prints
Edition: 4 Printers Proofs
Edition: 7 Artist Proofs
Ink: Charbonnel Black 55985
Printer: Jo Lankester
Printed at Garage Press August 2010
The print is available for sale through Perc Tucker Regional Gallery, Townsville, Australia. 07 4772 9011
Printmaking at the Edge: 45 artists: 16 countries: a new perspective
Artist: Tate Adams
Title: Maura
Medium: Sugarlift, Aquatint Etching on zinc plate
Size: 69.5 x 48.5 cm
Paper: Hahneumuhle
Edition: 20 Limited Edition Prints
Edition: 4 Printers Proofs
Edition: 7 Artist Proofs
Ink: Charbonnel Black 55985
Printer: Jo Lankester
Printed at Garage Press August 2010
The print is available for sale through Perc Tucker Regional Gallery, Townsville, Australia. 07 4772 9011
Printmaking at the Edge: 45 artists: 16 countries: a new perspective
Thursday, September 9, 2010
How to Grow Your Business Through Referrals | Artsy Shark
How to Grow Your Business Through Referrals | Artsy Shark
A great article with simple suggestions to grow you visual art practice and build your client database.
The Art of Pricing: How to Find the Hidden Profits to Grow Your Business
The Art of Pricing: How to Find the Hidden Profits to Grow Your Business
Wednesday, September 8, 2010
Thursday, September 2, 2010
NontoxicPrint.com | Nontoxic Printmaking
NontoxicPrint.com | Nontoxic Printmaking
We are building a list of art schools that practice "green" printmaking. Some of the schools aim to be exclusively nontoxic, while others have introduced new methods and safer practice into their existing programs. If you run, teach at, study at, or know of other schools to add to this list, we'd be pleased to hear from you.
Non-toxic Printmaking (Printmaking Handbooks)
We are building a list of art schools that practice "green" printmaking. Some of the schools aim to be exclusively nontoxic, while others have introduced new methods and safer practice into their existing programs. If you run, teach at, study at, or know of other schools to add to this list, we'd be pleased to hear from you.
Non-toxic Printmaking (Printmaking Handbooks)
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